"Carol Channing: Larger Than Life"

In late May 1994, I was an unemployed actor - again - in NYC. Upon checking the mail on a Wednesday morning, my last unemployment check had arrived and I had no acting job in sight. For years I had worked steadily and supported myself as an actor. It looked like that career was about to take a break.

It seemed clear I was headed back to "table-waiting" land. I had spoken to friends who owned a successful candle store on the upper west side of manhattan who offered a part time job.  Thankful but not thrilled.

I opened the trade papers and saw a casting call for a last minute replacement for the upcoming Broadway revival of "Hello, Dolly!" starring Carol Channing. The show would tour for several months but would come into Broadway. I was avoiding touring at that time as I was becoming the 'National Tour King' with six National tours under my belt but no Broadway debut yet at that time.

But finances are finances. Mr. American Express wrote me every month and always expected me to write back.

I headed to the audition because, well,  that's what unemployed actors do.

Over 125 dancer/actors showed up for that one position. We danced one combination and the creative team quickly cut to 30.

We danced another combination, and another cut - to 15.

We were asked to sing next. It was about this time I heard people saying plans had been made for this slot already and so they were looking for someone the same size as the guy originally cast - who was six feet tall. (p.s. I'm 5'8").

Great.

I headed in to sing for the director, Lee Roy Reams, and the choreographer, Bill Bateman. I have a fairly big voice and with nothing to lose I sang with abandon and no fear knowing I was soon to be 'candle shop bound.'

Upon finishing my song, I started walking towards my dance bag near the door. Lee Roy said "wow - where were you in February?" and out of nowhere I replied, "well, I was working then but my last unemployment check is in that bag on the way to the bank and 'baby needs a new pair of shoes.'"

Lee Roy screamed with laughter.

I smiled and exited the room. Least I got a laugh.

A quick subway ride home and I was soon laying on my couch thinking about candles and looking for a table waiting job.

The phone rang - on the other end of the phone I heard "are you sitting down?"

I paused and said "I'm sorry?"

"Are you sitting down?"

I looked out my living room windows thinking I was being watched as in Hitchcock's "Rear Window."

"Are you sitting down? - You got it!"

It took about four seconds and I suddenly thought "Dolly?"

"You got it - rehearsals start in five days!"

And so began a surprise journey that Cornelius from "Hello, Dolly!" would have said "it's an adventure, Barnaby!" - an adventure that introduced me to Carol Channing, Lee Roy Reams,  Jerry Herman, a new theatrical family,  "Hello, Dolly!" and my future husband.

Over the next 22 months not one member of the show left - we were all a very happy company. The show was beautiful, audiences loved it and Carol Channing was every inch the great Broadway star you wanted her to be.  And warm.  And very funny.

Carol joked and laughed with all of us.  She always made time to meet our husbands, wives, girlfriends, boyfriends and families.  When time permitted she would plan and pay for events for the whole company as we traveled all over the country.  She would buy out seatings of movies complete with all the treats you could eat; a cruise down the River Walk in San Antonio;  Thanksgiving and Christmas dinners; so many things she didn't have to do but would as the the star of the show and matriarch of the family.

Finally landing in NYC on Broadway, we had a dream opening night where New York audiences gave Carol and the show standing ovations, and Lee Roy stopped the band playing at the opening party to read the rave review from the NY Times declaring among other things "Celebrate her!" referring to Carol.  As an actor you dream of things like this.

After Broadway, I was asked to stage the choreography for the post-Broadway national tour. I supervised the tour and among my duties was giving notes to Carol - imagine that.  I have to say she welcomed any input I might have, although believe me, it was never more than small technical notes about spacing or some such thing.  She was always gracious and the picture of professionalism.  And funny.

"Hello, Dolly!" would remain a part of my life for all the years after.  In the past 14 years I've staged several companies of "Dolly" and a few months ago Jerry Herman - the gentle giant - called me to personally ask me to choreograph the upcoming Broadway revival. More on that when it happens.

This past December, I got the chance to dance again on Broadway in a tribute to Carol at the 'Gypsy of the Year' event with several former cast members from "Dolly."  During rehearsals, we were asked to share some memories of working with Carol for a documentary being made about Carol's life.  What I thought would be a few minutes turned into a three hour "love fest" about Carol.

Halden, Bobby, Bill, me and Julian at the first screening

I was emailed a few weeks ago by the director of the documentary that the film would make it's debut at the Tribeca Film Festival.  Back again to NYC to attend the world premiere. This past Saturday afternoon, I got to sit and watch the documentary with the very first audience - including my former "Dolly" cast mates Julian Brightman, Halden Michael, Bobby Randle, Bill Bateman and Kevin Burrows.  Over and over throughout the film we grabbed each other's knee or nudged one another when Carol would do something so "Carol";  when pictures or video of our "Dolly" company came on screen we all straightened up, so proud to have been a part of a great adventure.

"Carol Channing: Larger Than Life" is a fantastic love letter that beautifully captures not only Carol's amazing career, but her love of the theater, love of life and love for her husband. Dori Berinstein, the director, did a terrific job presenting the story that IS Carol Channing. I, and the audience, loved it. And yes, several parts of our "love fest in December" were used. I'm so glad we got to have our love for her captured forever.

After the screening, the "Dolly" boys were invited to come on stage and share in the love.  It was very, very cool.  And wonderful to celebrate Carol again.

"Hello, Dolly!" was my first Broadway experience and that cast was truly a family. We still are today.  Every Broadway cast doesn't find the connection we did.  I love how comfortable I am with my "Dolly" family.  I know these guys.  Theater just does that.  We worked hard together doing what we love to do.  "Hello, Dolly!" was a tough show to do - this wasn't a walk in the park.  But the people, personalities and talent inspired me every day.  Even when I stage the show today, it's their faces I see - that was Julian, that was Bobby, that was Kevin…  I see them the whole time.

I love to say "Hello, Dolly!" is the gift that keeps giving.  In addition to many gifts, like Carol finding the love of her life, I found mine through "Dolly." A great adventure that is still ongoing.

I love these folks.  I'm reminded of that every time I walk into a room and see them.  No matter how many years pass - I smile.

And no one more than Carol.  We love her.  We love being near her.  And so do the audiences.  Still.

(yeah, yeah, yeah - kinda sappy.  But it's my blog - my rules.  Your regularly scheduled sassy American blogger will return in the next post).

The men of "Hello, Dolly!" with Carol at Gypsy of the year

Rehearsals for Gypsy of the Year with Julian Brightman and Bill Bateman

Rehearsals for Gypsy of the Year with Bobby Randle

Dancing with Carol and the guys at Gypsy of the Year in Dec 2010.
This was used by the NY Times to promote the documentary.

The "Dolly Boys" - Me, Bill Bateman, Julian Brightman, Bobby Randle, Halden Michael and Kevin Burrows
at the party after the premiere of "Carol Channing: Larger Than Life"

Julian, Bill, Halden, Dori Berinstein (director of the film) me, Bobby and Kevin at premiere

"Carol Channing: Larger Than Life" - a documentary

“Carol Channing: Larger Than Life,” directed by Dori Berinstein, written by Dori Berinstein and Adam Zucker. (United States) – World Premiere, Documentary.

This film will debut at the world famous Tribeca Film Festival. It is a celebration of the life of Carol Channing, whom I love so dearly.

The story of legendary performer Carol Channing’s life is as colorful as the lipstick on her big, bright smile.

Director Dori Berinstein captures the magic and vivacity of the 90-year-old actress and throws it at the screen like roses at the stage during curtain call. You’ll have a grin on your face and a tear in your eye, evidence that the original Dolly Levi is still glowin’, still crowin’ and still goin’ strong.

At this past years' "Gypsy of the Year" event on Broadway, the men of the last revival of "Hello, Dolly!" were reunited with Carol to perform together once again.

During the rehearsals, the men were invited by Dori to sit down, with cameras rolling, and reminisce about our time doing "Hello, Dolly!" and life in general with Carol. It was a really wonderful, cathartic few hours spent in a room with men I greatly respect, talking about someone we universally admire and love.

I'm really looking forward to seeing this film celebration of Carol's life and career.

Carol Channing turns 90 today!

My dear Carol Channing celebrates her 90th birthday today.  I recently performed with her again last month (picture above) in the opening number of the Gypsy of the Year competition, which is a major charity event for Broadway Cares/Equity Fights AIDS.  She brought the house down as only she can.

For those that don't know, I spent two and a half incredible years performing with Carol in the last Broadway revival of Hello, Dolly!.  I eventually became the production supervisor where she would ask me for notes - on how to perform the role of Dolly Levi!  As if I could tell her anything she didn't already know.

A quick Carol story: when I was supervising Dolly on tour, one day we had a particularly long and dreadful travel day - two planes, a bus, a train and a donkey or two - to get to what Carol called "a soccer arena" where we would perform the show that night.  In the sound check Carol looked down and realized that the musician's pit was 25 feet beneath us.  This was the pit that I had to leap over every night in the middle of the Hello, Dolly! number.  For the first time in 30 years of doing the show she decided this was dangerous.  After the sound check she came looking for me to ask if someone could put a net or something between the pit and the stage in case those of us who jumped over the pit happened to fall into it.  At this point, I had 30 minutes before the performance and was taking a long shower to rid myself of the long travel day.  This being a "soccer arena" the showers where open showers in a locker room.  Covered in soap and standing under the water I suddenly heard a very low baritone voice say "Randy".  I turned and there was Carol, in the open showers with me, smiling.  She waited for me to turn and went into her concerns about the pit, a net and all sorts of other things as I stood there completely naked.  When she finished expressing her concerns I said "Absolutely Carol.  But right now I'm soaking wet, taking a shower."  She looked me up and down, smiled and said "Oh! Yes, of course.  Well, you know - we're all just show folk" and then turned and left me to finish my shower.  Nudity was nothing to this old pro who had changed costumes in the wings for decades.

Carol recently gave an interview about her 90th birthday and her thoughts on stage fright, losing the movie role of Dolly Levi to Streisand and getting the arts back into public schools.  She is truly a national treasure.

Celebrate our fabulous Carol Channing today.  As she likes to say - the first 90 years are the hardest...